Chamber Music Professional Development: IWCMF

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Imani Winds Bassoonist Monica Ellis coaching Coleman’s Afro-Cuban Wind Concerto

A typical day started at 9:30am and quitting time was often around bedtime. The morning workshop that started the day was always with the Imani Winds after which we would follow our schedules toward a rigorous day of masterclasses, coaching, and professional development seminars. There was no time to be shy with our chamber groups; we got cozy and comfortable with each other pretty fast to coordinate rehearsal times between mandatory festival events.

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Jason Moran with the Imani Winds

Each chamber group had been notified of their assignment before setting foot on campus, and had also been assigned an Emerging Composition fellow (ECP) . In addition to rehearsing the standard repertoire we would be coached on, we would also be working with our assigned ECP fellow on a piece to be played in concert at the culmination of the festival. telller, composed by my group’s fellow, Sequoia Sellinger, told the story of 5 artists who had all been at one time romantically involved. Demanding extended technique aside, the most grabbing part of the performance was the stage acting the piece called for, including on stage bickering that featured me snatching the oboist’s reed in protest of his intonation! I can now add Comedic Silent Actor to my resume.

The importance of building a network of artistic and personal support, or one’s “Tribe” as Valerie Coleman called it, was a central point of the festival. Professional development seminars covered skills such as networking, building a brand, and the elevator pitch. As an introvert, these workshops were invaluable to me. Returning to Boston, I was so inspired as to join Castle of our Skins where my primary responsibility is to be public facing and to talk to people all the time. A large part of my motivation this past year has been my passion for the work that I do, that we all do, as an artist. However the true catalysts, I must say, are the inspiring people and experiences I had with my Imani Winds Chamber Music Festival (IWCMF) cohort.

Though we were only together for a week, our cohort had a lasting impact on me that I carried into the following year. IWCMF seeks, in a week, to give fellows a comprehensive, educational experience. Touching on all of the tools that comprise an artist’s skill
set in one week is definitely as demanding as it sounds. And yet, I can say that last year was a rigorous experience, but also one of the professional highlights of my summer and I am excited to be returning this year.
 
 
 
 
 
 
 
 
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